By Theodore Dreiser
The insistent subject of Mr. Dreiser's paintings is hope, perennial, unquenchable. irrespective of how badly Mr. Dreiser may perhaps do his paintings, he will be major because the American novelist who has so much felt this subterranean present of existence. Many novelists have noticeable this present as an insignificant abyss of sin from which the soul is to be dragged to the excessive floor of ethical objective and redemption, yet this can now not relatively do. the nice interpreters see lifestyles as a fight among this wish and the geared up equipment of life, yet they aren't keen, as we're, to hide up and belittle the will.
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Shang shu 尚書 (hallowed writings of antiquity) 823 Jin Zhaozi 金兆梓. “Jinwen Shang shu lun” 今文尚書論. Xuelin 1 (1940): 65–81; rpt. in Jin Zhaozi. Chun’an zhixue leigao 芚厂治學類稿, 243–73. Shanghai: Zhong hua shuju, 1949. Jin Zhaozi 金兆梓. “Jinwen Shang shu xulun” 今文尚書緒論. Xuelin 5 (1941): 177– 97; rpt. Jin Zhaozi. Chun’an zhixue leigao, 274–310. Wu Kang 吳康. Shang shu dagang 尚書大綱. Changsha: Shangwu yinshuguan, 1941; rpt. Taipei: Shangwu yinshuguan, 1953. Chu T’ing-hsien 朱廷獻, ed. Shang shu yanjiu lunji 尚書研究論集.
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