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By Gregory Mobley

The basic challenge that Mobley's e-book offers with is the strange personality of Judges 13-16 and of its hero. Samson's specified caliber, famous via nearly all interpreters, is outlined right here as liminality. The liminal scenario, which incorporates a move clear of society, the shortcoming of social restraints, and the prestige of outsider, is an enduring situation for Samson. The secondary function of this ebook is to illustrate the ways that the Samson saga, that is usually in comparison to the Greek Heracles culture, uses rules approximately wild males and warriors present in different biblical and Mesopotamian stories. 

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Extra resources for Samson and the Liminal Hero in the Ancient Near East

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L o c a t i n g S a m so n 23 th ir d m ille n n iu m in to th e firs t, h a s b e e n c a lle d v a r io u s ly th e n a k e d h e ro , t h e s i x - l o c k e d h e r o , t h e m a s t e r o f t h e b e a s t s , a n d , b y E . U n g e r , t h e w ild m a n ( W i l d e r M a n n ) . 115 O n t h e b a s i s o f t h e r e l a t i v e l y f e w in s ta n c e s o f c o r r e s p o n d e n c c b e t w e e n t h e i m a g e a n d t e x t , F . A . M . W ig g e r m a n n s u g g e s ts t h a t t h e A k k a d i a n n a m e f o r t h i s f i g u r e w a s l a h m u , “ t h e h a i r y o n e .

Fo r in te r m e d ia te s ta te s a n d h y b rid c h a r a c te r s , n a m e ly , “ th e lim in a l,” th a t h e l p s u s a n a l y t i c a l l y t o lo c a t e S a m s o n . I h a v e a l r e a d y s k e i e h c d t h e a ty p i c a l q u a lity o f S a m s o n v is - à - v is o th e r b ib lic a l c h a r a c tc r s a n d th e a lie n q u a lity o f th e S a m s o n n a r r a tiv e v is -à -v is its lite r a r y c o n te x t in th e b o o k o f J u d g e s ‫ ׳‬W h a t i f w c a d o p t th e s e p ro b le m s a s o u r th e s is ?

9 . B en jam in R. F o ste r, B e fo r e the. , 1:275; 2 :5 3 4 , 538, 5 4 2 ; 894. 24 S a rn s o n a n d th e L im in a i H e r o in t h e A n c ie n t N e a r E a s t f r e q u e n tly , g u a rd d o o r w a y s a n d g a te s , n o t u n lik e th e g a r g o y le s w h o w a tc h o v e r G o th ic c a th e d r a ls o r, a s B e m h e im e r n o te s , th e w ild m e n w h o a p p e a r o n d o o r j a m b s a n d p o r t a l s i n E u r o p e . 1*0 i n t h i s c o n t e x t , a s d o o r k e e p e r o r g u a rd ia n o f a h o u s e , w e m ig h t s a y th a t th e la h m u t lik e m a a y a w ild m a n , h a s b e e n d o m e s t i c a t e d — t h o u g h b y i n c l u s i o n i n t h e c u l t r a t h e r t h a n t h r o u g l i t h e l o v e o f a w o m a n , t h e p r e f e r r e d , a n d m o r e e n t e r t a i n in g , m e t h o d in w i l d m a n n a r r a t i v e s — a n d n o w d e f e n d s s o c i e t y .

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