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This hugely acclaimed learn analyzes some of the traits in English feedback throughout the first 4 many years of this century.
Gothic verse liberated the darkish aspect of Romantic and Victorian verse: its medievalism, depression and morbidity. a few poets meant purely to surprise or entertain, yet Gothic additionally liberated the artistic mind's eye and encouraged them to go into tense components of the psyche and to painting severe states of human awareness.
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Der Herbst. Auszug der vornehmsten Gedichte aus dem Irdischen Vergnügen in Gott. Deutsche Neudrucke / Reihe 18. Stuttgart: Metzler. Burke, Edmund. . 1826. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. Works, 1: 71–218. Boston: Wells and Lilly. Cameron, Margaret. 1927. L’inﬂuence des ‘‘Saisons’’ de Thomson sur la poésie descriptive en France 1759–1810. Paris: Champion. Clare, John. 1966. Selected Prose and Poems. Ed. by Eric Robinson and Geoﬀrey Summerﬁeld.
Sämtliche Werke und Briefe. Ed. by Eduard Castle and Walter Dietze. 2 vols. Frankfurt: Insel. Lessing, Gotthold Ephraim. . 1887. Laokoon. Werke. Ed. by Franz Muncker. , 3: 272–399. Stuttgart: Göschen. —— 1962. Laokoon. Trans. by E. Allen McCormick. Indianapolis: Bobbs-Merrill. Mehl, Jane. 1974. The Imagery of Time and Season in German Baroque and Romantic Poetry. D. , State University of New York, Binghamton. Millevoye, Charles Hubert. 1967. La chute des feuilles. Eighteenth-Century French Literature series, 356–60.
F. 86. Berlin: Gruyter. Coleridge, Samuel Taylor. 1912. The Complete Poetical Works of Samuel Taylor Coleridge. Ed. by Ernest Hartley Coleridge. 2 vols. Oxford: Clarendon Press. —— 1957–1990. The Notebooks of Samuel Taylor Coleridge. Ed. by Kathleen Coburn. 4 vols. London: Routledge. —— 1980. Marginalia. Ed. by George Whalley. Vol. 1. Vol. 12 of The Collected Works of Samuel Taylor Coleridge. Princeton: Princeton University Press. —— 1983. Biographia Literaria. Ed. by James Engell and W. Jackson Bate.