By Spike Milligan
Puckoon is Spike Milligan's vintage slapstick novel, reissued for the 1st time because it used to be released in 1963.
'Pops with the erratic brilliance of a slipshod fit in a field of fireworks' Daily Mail
[b]In 1924 the Boundary fee is tasked with developing the hot authentic department among Northern eire and the Irish Republic. via incompetence, dereliction of responsibility and sheer perversity, the border finally ends up operating throughout the center of the small city of Puckoon.
Houses are divided from outhouses, husbands separated from better halves, bars are bring to a halt from their consumers, church buildings sundered from graveyards. And in the course of all of it is negative Dan Milligan, our feckless protagonist, who's taunted and manipulated by means of all people (including the sadistic writer) to aim and make a few feel of this mess . . .
'Bursts on the seams with remarkable comedian characters excited about unbelievably most probably issues at the Irish border' Observer
'Our first comedian philosopher' Eddie Izzard
Spike Milligan used to be one of many maximum and such a lot influential comedians of the 20th century. Born in India in 1918, he served within the Royal Artillery in the course of WWII in North Africa and Italy. on the finish of the conflict, he cast a occupation as a jazz musician, sketch-show author and performer, ahead of becoming a member of forces with Peter and Harry Secombe to shape the mythical Goon Show. until eventually his dying in 2002, he had good fortune as on level and monitor and because the writer of over 80 books of fiction, memoir, poetry, performs, cartoons and children's tales.
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Additional resources for Puckoon
R . Petruck (N. Y. : Dutton , 1 979) , Vol . I I , pp . 25-40. Laszlo Moholy-Nagy, "A New I nstrument of Questioning Media Vision , " in The Camera Viewed. Vol . I , p . 166 . 1 2 . Moholy-Nagy, 1 67 . 1 3 . Frank Gllette , Video Process and Meta Process (Syracuse , N . Y. : Everson Museum of Art , 1 973) , pp . 2 1 -22 . 1 4 . Hollis Frampton , Circles of Confusion ( Roch ester, N . Y. : Visual Studies Workshop , 1 983) , pp . 1 66-67 . For a similar affirmation of the medium-based potential of special-effects video , see the interview with Richard Lorber.
Film came to be established as an art because masterpieces, such as the highly theatrical work of Chaplin , were produced in that medium . It is not the possi bili ty of purity or the efficient production of a unique effect that wins a medium a place among the arts , but the creation of interest ing , though often "impure , " works . The medium specificity theorist may also rely on the division of labor notion as a defensive gambi t . That i s , opponents of emerging media may claim that a new medium is extraneous , since an existing artform already does what the new medium aspires to .
Jean B aptiste Dubos , James Harris , Moses Me ndelsohn , and most famously, Gotthold Ephraim Lessing revolted against the kind of art theory proposed in Charles B atteux's tract entitled The Fine A rts Reduced to the Same Principle. 5 As B atteux's title should suggest , pre-Enlightenment art theorizing tended to treat all arts as the same e . g . , as striving for the same effect , such as the imitation of the beautiful in nature . Enlight enment proponents such as Lessing , pos sessed by the epoch's zeal for distinctions , sought to differentiate the arts in terms of their medium-specific ingredients .