By José Lins do Rego
About the writer (from Goodreads):
José Lins do Rego Cavalcanti (July three, 1901 in Pilar Paraíba - September 12, 1957 in Rio de Janeiro) used to be a Brazilian novelist so much identified for his semi-autobiographical "sugarcane cycle." those novels have been the foundation of movies that had distribution within the English talking global. besides Graciliano Ramos and Jorge Amado he stands as one of many maximum regionalist writers of Brazil. in response to Otto Maria Carpeaux (Brazilian literary critic), José Lins was once "the final of the tale tellers". His first novel, Menino de Engenho ("Boy from the plantation"), was once released with trouble, yet quickly it bought praised through the critics.
Sobre o livro:
Escrito em 1936, o livro relata a infância do protagonista Antônio Bento, que devido à seca é deixado pela mãe aos cuidados do tio, o padre Amâncio. Morador da Vila do Alço, próximo a Pedra Bonita, o padre come to a decision por Bentinho, como o menino e chamado no seminário, sem sucesso.
Bentinho torna-se então sacristão do tio. No entanto, por ter um irmão envolvido no cangaço, acaba mal visto na vila. A partir daí, cria-se um grande deadlock para o menino: seguir seu tio ou trilhar o caminho do irmão.
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Chapter 3 Works Woolf’s fiction 38 Woolf’s nonfiction 96 Other essays 112 Virginia Woolf ’s oeuvre is sizable. Most of her writings, across several genres, are in print, including a growing number of holograph, draft and facsimile editions of key works. While the latter are probably not of immediate interest to those starting to read Woolf, it is the case that her letters, diaries, memoirs and essays may well be studied along with her novels and short stories. But it is Woolf ’s achievement as a novelist that firstly marks her out as a major modern writer.
Some works are considered diYcult and challenging because of their obvious experimentalism with form, but even in these, as well as in the less experimental works, Woolf ’s writing may also appear disarmingly simple; and such writing is no less demanding of careful attention. ’ is a question derived from one of the most important and influential critics 37 38 The Cambridge Introduction to Virginia Woolf writing on the literature of this period, Erich Auerbach, and the question he asks of a particular paragraph in Woolf ’s novel To the Lighthouse (1927).
Exploration of contexts becomes a matter of secondary as well as primary sources, and this chapter will oVer guidance to the key publications for each context. As an acclaimed high modernist writer, Woolf has not always been discussed in terms of context. Indeed, certain approaches to the context of modernism would encourage a purely formalist understanding of such writing. Yet what is so important about Woolf is that her immediate, intimate, intellectual context in Bloomsbury was itself the theoretical cradle of British formalism, and by extension, of formalist modernism.