Download Mass Appeal: The Formative Age of the Movies, Radio, and TV by Edward D. Berkowitz PDF

By Edward D. Berkowitz

Mass attraction describes the altering global of yank pop culture from the 1st sound videos throughout the age of tv. in brief and available vignettes, the ebook unearths the profession styles of people that turned monstrous motion picture, television, or radio stars. Eddie Cantor and Al Jolson signify the early stars of sound video clips. Groucho Marx and Fred Astaire symbolize the motion picture stars of the Thirties, and Jack Benny stands in for the Thirties performers who accomplished their good fortune on radio. Katharine Hepburn, a degree and movie celebrity, illustrates the cultural developments of the past due Thirties and early Nineteen Forties. Humphrey Bogart and Bob wish function examples of performers who accomplished nice good fortune through the moment global battle. Walt Disney, Woody Allen, and Lucille Ball, between others, turn into the consultant figures of the postwar international. via those vignettes, the reader involves comprehend the improvement of yank mass media within the 20th century.

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Extra resources for Mass Appeal: The Formative Age of the Movies, Radio, and TV

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The story concerned international diplomacy and intrigue in the mythical, but clearly European, lands of Freedonia and its great rival Sylvania. With the approval of wealthy dowager Margaret Dumont, Groucho ruled Freedonia and tangled with the ambassador from Sylvania, played by veteran character actor Louis Calhern. 31 It is a purer film, more abstract, less tied to current entertainment fashions than its predecessors, yet with lots of punning encounters between Groucho and Chico, comic bits for Harpo, and terrific pieces of physical business such as the famous mirror scene.

Adopting one of the popular vaudeville formats, they put together Fun in Hi Skule (1912), an act set in a school. The act overflowed with the ethnic and gender stereotypes that were common to vaudeville, where the quick pace demanded that the audience already be familiar with the type of act in front of them. The audience assumed that a character’s ethnicity implied certain traits. Julius, using a German accent that was common to “Dutch” comedians, played Herr Teacher – Germans were considered to be smart, at least until the outbreak of World War I (Julius dropped his German accent at that time).

25 It made for hard work but was much easier than traveling to California, as Jolson had to do for The Jazz Singer. The Marx brothers were among the New York acts that recorded their performances for the talkies. Most of the acts filmed shorts. The Marx brothers filmed an entire play. The finished product opened on May 24, 1929, and received the complimentary reviews to which the brothers had become accustomed. Much of the commentary centered on the technical aspects of the production. Groucho’s soft voice came through loud and clear, and the movie audience was able to follow all of his puns and other tortures of the language.

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