By Claudia Gould
Drawing on ethnographic box paintings she carried out between Christians in her domestic kingdom of North Carolina, Claudia Gould crafts tales that lay open the human middle and social issues of fundamentalist trust. those tales and the compelling characters who inhabit them draw us into the advanced essence of spiritual event between southern American Christians.
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Additional info for Jesus in America and Other Stories from the Field
Hey,” he said, when she was within speaking distance. The woman had taken a few steps away and she looked back as he spoke. “Mama,” he said, “this is Ruth McBride. ” Ruth turned toward Wesley’s mother. She was a tall, very dark woman wearing a navy blue dress and a white hat trimmed in blue. ” “How do you do,” she said, feeling constrained to an unfamiliar formality by Wesley’s demonstration of good manners. “Well, hello Ruth,” said Wesley’s mother. She extended her hand and grasped Ruth’s, “It’s a pleasure.
By the time they got to the Middlewrights’ ochre-yellow house, Ruth was ready to forget she was a stranger. They didn’t go in. Ruth and the men sat on the front porch, Ruth on the long swing. James Middlewright asked questions, told little stories, laughed at everything she said. He was paler than his wife and had greengray eyes, lighter than his skin. Wesley took after him more than his mother, Ruth decided, although Wesley was tall, like her. Mrs. Middlewright brought a pitcher of tea, misted with cold, and tall glasses on a tray.
God had been listening. When Grandma got there to pick him up in the car, Pastor Happold walked out with him and leaned down to the window while Jesse walked round to the other side to get in. Grandma started to open the door, but she couldn’t because Pastor Happold was leaning into the window. Jesse knew it would make her uncomfortable to be sitting while the pastor had to bend over to talk to her. “We were real proud of Jesse this dinnertime,” he said. ” She looked around at Jesse, who was settling into the seat.