By Kirk Wood Bromley
Romeo and Juliet, re-imagined. even supposing Icarus and Aria, like its forerunner, is written in verse, it's firmly positioned within the current. Icarus Alzaro is a rookie soccer megastar simply signed to a excessive profile agreement with the Aztechs of Phoenix, Arizona. Jimmy Jones, the landlord of the Aztechs, has a sullen teenage daughter named Aria. the 2 meet at a celebration to rejoice Icarus's becoming a member of the group, spend the evening jointly and sneak away to the mountains jointly. through the following morning, their disappearance is a media sensation. the 2 younger enthusiasts are ultimately, necessarily pulled aside through forces and faces that encompass them, a forged starting from Dina, Aria's smart-mouthed ally, to Primalo, head of El Imaginero, a criminal offense ring associated with drug-dealing and a spate of murders and Icarus's brother. Icarus and Aria unflinchingly examines the nation of the US this present day, the place issues of race, gender, status and media publicity overlap and interrelate in violent and tragic methods.
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Naomi? Twice. Rebecca? Massage a twa. That French broad wit da totally natchral hooters? ‟ Kid got habits? He makes Elvis look Amish. Toot, slug, siss, pop, bam, shoot, boom. He don‟t just kill the pain; he cuts up its corpse. If dat‟s Icarus, I finish this job alone. O, Icarus, ven aqui! I'm in da back, Jack, havin a smoke, Joke. 33 Enter Luce and Matina. Movers exit. IcarusLuceIcarusLuceMatinaLuceIcarusLuceMatinaLuce- IcarusLuce- MatinaLuce- MatinaIcarusMatinaIcarus- Yes, mama? Mira, picaflores at my feeder, Sipping that red sugarwater.
My escort? No, poor term for such rich beauty. My escort? It‟s okay. Don‟t sweat it, Jimmy. My dear, I have a vandal mind, that sprays The paraphs of its antisocial jeer Upon the monuments I yet consecrate. Perdoname. I defend no offense. No problema. Shut up, Priscilla! You! I know who you are and what you do. Escort is churchspeak for what you‟re fucking. You rap a big game up, but you got nothing, So outta line you bust your mama‟s back. My bills are clean, you step it on the crack. Open air I breathe; you‟re the bottom side.
I defend no offense. No problema. Shut up, Priscilla! You! I know who you are and what you do. Escort is churchspeak for what you‟re fucking. You rap a big game up, but you got nothing, So outta line you bust your mama‟s back. My bills are clean, you step it on the crack. Open air I breathe; you‟re the bottom side. I‟m public stock; you‟re auto-genocide. Where I hang? Black Angus. You? Some hangar, Waiting on a load from Bolivar. Your goods are shit, your body‟s in a bag, And all your flap‟s a double-facet flag: One half white, the other parasite-red, As you bezel your expansive hornet head Into the culture‟s body you would kill With snorting, were I not to cut your fill.