By Chuck Salter
Judd Apatow and Lena Dunham having one of these casual dialog that shapes Girls. Martin Scorsese commencing up approximately taking hazards. Former Hulu CEO Jason Kilar suffering to reinvent the television undefined. Nike founder Phil Knight and his son, Travis, launching a studio to rival Pixar. Fast Company explores ingenuity like no different enterprise book. in addition to chronicling the stories of disruptive leisure startups, the tales in Hacking Hollywood exhibit the industry’s brightest and such a lot bold minds at paintings on a few of the greatest and such a lot influential television exhibits and flicks: Homeland, Mad males, The Sopranos, misplaced, The Departed, The Producers, and extra. A Who’s Who of studio heads, administrators, writers, and performers take you deep within their inventive procedure. This Fast Company anthology additionally introduces insiders akin to Franklin Leonard, writer of The Black checklist, a champion of unmade movies—which have grossed a mixed $16 billion on the field office.
Fast Company's Hacking Hollywood is for an individual curious to grasp what it takes to achieve an insanely aggressive that has an insatiable starvation for brand new rules yet is additionally notoriously proof against swap. those tales are chock-full of concepts, classes, and proposal, yet you don’t must be in enterprise (or leisure) to understand the riveting plotlines and compelling characters that inhabit those dramas.
Read or Download Hacking Hollywood: The Creative Geniuses Behind Homeland, Girls, Mad Men, The Sopranos, Lost, and More PDF
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Additional resources for Hacking Hollywood: The Creative Geniuses Behind Homeland, Girls, Mad Men, The Sopranos, Lost, and More
Chuck Salter, senior writer, Fast Company ACT 1: BEHIND THE SCENES ACT 1 BEHIND THE SCENES Inside some of the biggest shows and brightest minds on TV. Lessons in stoking creativity from ridiculously high pressure, overcoming rejection, and cultivating fandom. A Day in the Creative (and Obsessive) Life of Conan O’Brien A DAY IN THE CREATIVE (AND OBSESSIVE) LIFE OF CONAN O’BRIEN By Chuck Salter THE MONOLOGUE isn’t written and the sketches are nowhere near ready, but Conan O’Brien isn’t worried. Or if he is, he isn’t letting on.
And there are more in the works, more than can fit. ” O’Brien’s comedy mine is Stage 15, the cavernous soundstage where Blazing Saddles and Ghostbusters were filmed. ” Pressure? What pressure? Beneath the desk, O’Brien’s leg is now bouncing like mad. MONDAY AFTERNOON: Some comic elements are prepared days ahead of time. “Larry King in the Rafters” is an idea that has just been awaiting King’s availability. When he learns that King can do Tuesday’s show, Mike Sweeney, O’Brien’s head writer, emails him the script after Monday’s taping.
My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that. DUNHAM: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling. APATOW: I try to think months in advance, When will you collapse?