Download Coincidence and Counterfactuality: Plotting Time and Space by Hilary P. Dannenberg PDF

By Hilary P. Dannenberg

In Coincidence and Counterfactuality, a groundbreaking research of plot, Hilary P. Dannenberg units out to respond to the perennial query of the way to inform an outstanding tale. whereas plot is without doubt one of the such a lot fundamental facets of storytelling, it really is might be the least studied element of narrative. utilizing plot thought to chart the improvement of narrative fiction from the Renaissance to the current, Dannenberg demonstrates how the radical has developed over the years and the way writers have constructed more and more complicated narrative suggestions that faucet into key cognitive parameters commonly used to the reader from real-life experience.
 
Dannenberg proposes a brand new, multidimensional idea for interpreting time and house in narrative fiction, then makes use of this concept to track the old evolution of narrative fiction through targeting accident and counterfactuality. those key plot strategies are developed round pivotal moments whilst characters’ lifestyles trajectories, or occasionally the trails of background, converge or diverge. The study’s wealthy historic and textual scope finds how narrative traditions and genres equivalent to romance and realism or technology fiction and historiographic metafiction, instead of being separated by way of transparent limitations are actually in a continuing technique of interplay and cross-fertilization. In highlighting severe phases within the historic improvement of narrative fiction, the research produces new readings of works by way of pinpointing the cutting edge function performed via specific authors during this evolutionary approach. Dannenberg’s unique research of plot styles is interdisciplinary, incorporating examine from narrative idea, cognitive techniques to literature, social psychology, attainable worlds conception, and feminist techniques to narrative.

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Coincidence and Counterfactuality: Plotting Time and Space in Narrative Fiction

In twist of fate and Counterfactuality, a groundbreaking research of plot, Hilary P. Dannenberg units out to respond to the perennial query of ways to inform a superb tale. whereas plot is one of the such a lot quintessential elements of storytelling, it's might be the least studied element of narrative. utilizing plot idea to chart the improvement of narrative fiction from the Renaissance to the current, Dannenberg demonstrates how the radical has advanced over the years and the way writers have constructed more and more advanced narrative thoughts that faucet into key cognitive parameters typical to the reader from real-life event.

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Extra resources for Coincidence and Counterfactuality: Plotting Time and Space in Narrative Fiction

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Here kinship, causation (father-son procreation), and similarity (genetic resemblance) are all bound up in the depiction of the moment of recognition. This passage is particularly identifiable as a twentieth-century rendering of the kinship recognition scene because of its detailed mapping of facial characteristics and the emphasis on genetic similarity. 33 1 2 3 4 5T 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 34 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 1 .

Second, the liminal images of the multiple possible futures created in the recipient’s mind by the suspenseful situation function as an additional suppresser of the actual future outcome, which the reader really knows. This is because, seen from the actional present of the precarious situation, these multiple future scenarios do not yet have an ontological hierarchy in which one version is more actual than another. The immersed reader therefore views the future as a zone of multiple unactualized possibilities and is cognitively incapable of privileging the known outcome over the other possible versions.

Turner 1987, 141–43, my numbering) I will refer to these three types of causation as causal-progenerative, causalmanipulative, and causal-sufficient forms of explanation. Type 1, causation as progeneration, is a cognitive pattern used to comprehend a randomly initiated but causally linked sequence of events in time. ) By contrast, type 2, causation as action, involves the intentional manipulation of events by an agent. The following examples illustrate the historical transition away from a construction of events in which a providential god—implicitly located in a metaworld that is part of the narrative c o gn it i v e pl ot t i ng world—is deemed to be causally manipulating events toward more pluralistic forms of causal justification.

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