Download Armchair Nation: An intimate history of Britain in front of by Joe Moran PDF

By Joe Moran

Yet what does your furnishings aspect at?' asks the nature Joey within the sitcom pals on listening to an acquaintance has no television. It's a great query: considering the fact that its beginnings in the course of WW2, tv has assumed a crucial position in our homes and our lives, simply as satellite tv for pc dishes and aerials became good points of city skylines. tv (or 'the idiot's lantern', reckoning on your emotions approximately it) has created controversy, introduced coronations and global Cups into residing rooms, allowed us entry to 24hr information and media and supplied one thousand dialog starters. As indicates come and move in reputation, the heritage of tv exhibits us how our society has changed.

Armchair Nation unearths the attention-grabbing, lyrical and occasionally wonderful background of television tube, from the 1st demonstration of tv by means of John Logie Baird (in Selfridges) to the phobia and pleasure that greeted its arrival in families (some audience anxious it might probably keep watch over their thoughts), the controversies of Mary Whitehouse's 'Clean Up TV' crusade and what JG Ballard thought of monstrous Brother. through journeys down reminiscence lane with Morecambe and clever, Richard Dimbleby, David Frost, Blue Peter and Coronation road, you could flick among interesting nuggets from the unusual aspect of television: what occurred after a chimpanzee known as 'Fred J. Muggs' interrupted American photos of the Queen's marriage ceremony, and why extraterrestrial beings may be tuning in to The Benny Hill exhibit.

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Extra resources for Armchair Nation: An intimate history of Britain in front of the TV

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109. 110. 111. 112. 113. 114. 115. 116. 117. 118. 119. 120. 33 1987, “The idea [at the heart of the play] had to do with the exodus history of America. . You set out from an oppressive old place, go into the wilderness and reinvent yourself, start a new community free of the plagues of the old one. ” Thus, the religious story at the core of both Judaism and Mormonism is central to Kushner’s agenda. While it is impossible to escape the problems of the home society, the attempt to reject oppression and build something new is clearly a good thing: in the end, it is what Prior and his new “family” do in the midst of the conservative culture they reject.

Solomon, Ailsa. ” In Approaching the Millennium: Essays on Angels in America, 118–33. , Joseph D. Straubhaar, and Gayle Newbold. ” Dialogue: A Journal of Mormon Thought 32, no. 2 (Summer 1999): 133–57. Tuveson, Ernest. Redeemer Nation: The Idea of America’s Millennial Role. Chicago: University of Chicago Press, 1968. Underwood, Grant. The Millenarian World of Early Mormonism. Urbana: University of Illinois Press, 1993. Weber, Bruce. ” New York Times, April 25, 1993. http://www. com (accessed June 6, 2008).

While those characters who find themselves do not abandon religious ideas, they no longer rely on institutions to supply and interpret those ideas for them. In this light, Joe’s sin is not his ongoing faith but his uncritical acceptance of the tenets of that faith—and its social and political implications—as laid out for him by a church. 111 From Stage to Screen: Taking the Edge Off? Director Mike Nichols’s 2003 film adaptation of Angels in America, for which Kushner wrote the screenplay, significantly softens his critique of Mormonism when compared with the text of the play.

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