By K. Andersen-Wyman
Andersen-Wyman's ebook undoes so much scholarly makes use of and understandings of De amore by way of Andreas Capellanus. by means of supplying a analyzing promoted through the textual content itself, Andersen-Wyman exhibits how Andreas undermines the narrative foundations of sacred and secular associations and renders their energy absurd. Her e-book deals the easiest rationalization but for why Andreas's used to be one among in basic terms books condemned via Bishop Tempier in 1276: the instruments Andreas bargains his readers, in addition to what Andreas indicates approximately his personal wish and what may be where of ladies in society, can make his publication risky in virtually any period.
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Extra info for Andreas Capellanus on Love?: Desire, Seduction, and Subversion in a Twelfth-Century Latin Text (Studies in Arthurian and Courtly Cultures)
Whoever recommended the condemnation of Andreas’s book to Bishop Tempier probably understood it. The Critics The aim of this book is to offer a new understanding of Andreas’s text, not a careful refutation, explanation, or expansion of all earlier ones. But a quick view of the critical landscape will help to contextualize the point of view for which I argue. Despite the obvious difficulties inherent in reading Andreas’s text, despite its varied readership, and although courtly love has been challenged by scholars as more likely an invention of nineteenth-century French medievalists than a sociological phenomenon of the Middle Ages,42 Andreas’s text is still commonly used in the classroom as a companion or reference work for the study of courtly love literature.
The continuing misunderstanding of and misappropriation of Andreas’s text clearly has far-reaching ramifications. Let us now turn to standard interpretations of the text itself. 47 The categories that follow are Moi’s, but I have added more recent critics, as well as my own critical conclusions, to her very convenient categories. The first stance is that Andreas defines, supports, and defends courtly love. Books I and II seriously promote courtly love, and Book III must be seen as a conventional piece of retraction only meant to save the author, a priest, from getting into trouble with the Church.
Before we discuss Andreas’s use of bent language any further, however, let us see how the playful twisting behind it works with what Andreas does with genre. Andreas’s text begins as a letter addressed to Walter in terms of an intimate missive salutation. 4 Yet it resists this category through what some critics have assumed to be a misprision of the standard formulae. Julius Victorinus (fourth century), whose work became the foundation of medieval rhetorical standards of letter writing, wrote that epistolae negotiales (letters of negotiation) should contain serious argumentative matter and figurative language, which Andreas’s does, FISH OR FOWL 37 and that epistolae familiares (familiar letters) should be clear and brief; Andreas’s text is neither clear nor brief, but it uses an intimate tone and style when addressing Walter.