By Bernard Felix Huppe
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This concise and full of life survey introduces scholars without past wisdom to Chaucer, and especially to the 'Canterbury Tales'. Written in an invitingly inclusive but intellectually subtle sort, it offers crucial proof in regards to the poet, together with a biography and cartoon of his significant works, in addition to providing a framework for pondering creatively approximately his writing.
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Extra resources for A Reading of the Canterbury Tales
Page 11 "The Doctrine of Charity in Medieval Literary Gardens," Speculum, 26 (1951), 2449; B. F. Huppé, Doctrine and Poetry (New York, 1959). For opposing views see R. W. " Modern Philology, 56(1958), 7381; E. Talbot Donaldson, "Patristic Exegesis in the Criticism of Medieval Literature," in Critical Approaches to Medieval Literature, edited by Dorothy Bethurum (New York, 1960), 126. Appearing only after the present book was completed, D. W. Robertson's Preface to Chaucer (Princeton, 1962) is of major importance, as noted in my Preface, in giving magisterial authority to the summary statement of this introduction, and B.
A difficult problem in disencumbering the book of documentation arose from the fact that my interpretation of Chaucer's poem derives from placing him in a literary tradition. I wrote the present introductory chapter tentatively, giving in barest outline the elements of the hypothecated tradition; I chose two pages rather than two hundred, but I was far from sure that my choice was right. Happily, Professor D. W. Robertson's A Preface to Chaucer reached me just as I was completing my MS, and has obviated any need for me to expand my introductory chapter.
For example, a description of the function of the "outridere'' has taught something significant about the Monk as a type of monastic businessman. 13 Here only certain elements of rhetorical design will be examined as they are indicative of Chaucer's strategy of characterization, in particular his manner of suggesting in the portraits a scale of values from the ideal of the true pilgrim to the corruptness of the false pilgrim. Page 31 The Knight. The Knight represents the ideal of knighthood, and is so described, but with masterful economy which avoids platitudinous generalization.